Survey of the principle styles, composers, genres, and forms associated with opera from 1600 through the 21st century. Consideration of representative works from those periods through directed reading, score examination, analysis, listening, and performance. Offered as needed. Prerequisites: 152, 237, 238, 327.

Courses on topics of interest to music students offered on the basis of need, interest, or timeliness. Prerequisite as determined by instructor. Restricted to students with junior standing or higher. May be repeated for credit. For specific section description, click to the Section Details in VitNet.

Non-classroom experiences in the field of Music. Placements are off-campus, and may be full- or part-time, and with or without pay. Credit for experiences must be sought prior to occurrence, and learning contracts must be submitted before the end of the first week of the semester. See the experiential learning: internship section of this catalog for more details. Restricted to students with junior standing or higher. Department Chair approval required prior to scheduling. Graded CR/NC.

Independent reading and/or research under the guidance of a music faculty member. Refer to the academic policy section for independent study policy. Independent study contract is required. May be repeated for credit.

Instrumental Techniques I introduces music education students to fingering, notation, and pedagogy related to woodwind and brass instruments. Students will learn basic information for classroom and arranging purposes. Prerequisite: At least two music theory courses at the undergraduate level.

Instrumental Techniques II introduces music education students to fingering, notation, and pedagogy related to string and percussion instruments. Students will learn basic information for classroom and arranging purposes. Prerequisite: at least two Music Theory courses at the undergraduate level.

A course presenting the study and critical analysis of many pedagogical approaches of the teaching of singing. For the advanced vocal/choral student, it is a research and discussion course with a major research project. The course includes observation, practice teaching, and studio business practices of private teaching. Students use the vocal lab for research using VoceVista software and other technology. The teaching of private voice lessons is a practicum experience for the student teacher/singer.

Definitions of Social Justice and Equity, combined with discussions about identity and commitment to change, will provide context for a general history of global movements impacted by music and musicians. A deeper exploration of El Sistema ("The System" - a music program offering social change for the poorest areas of Venezuela) will develop intercultural knowledge by introducing students to programs in the United States and abroad that have made strides in improving social conditions in their respective communities.

This course will emphasize the importance of Arts Therapy as a lay person when working with the Geriatric Dementia and Alzheimers Communities. Students will learn the importance and value of spending time bringing joy to geriatric individuals through use of visual, musical, or chair dancing arts. After three weeks of background knowledge and information about how the elderly, especially with dementia, qualify as an under-served community, students will explore different arts-based techniques to engage cognitive connections.

A continuation of the development of skills learned in Conducting I, with emphasis on baton technique, gesture, score preparation, score reading and interpretation, performance practice, and rehearsal sequencing. Prerequisite: 265.