Wilderness
Survival Novels (near-death experience)
Three
characteristics of survival novels:
1.Character
changes and grows:There are physical
changes, the protagonist becomes thinner and stronger!There
are
emotional changes, the protagonist learns about relationships
with people, the land, and/or animals.The
protagonist develops a keen sensitivity to the world.There
are intellectual changes, the protagonist becomes aware of his/her
fallibility.
2.Through
a series of challenges, the protagonist digs deep into her soul to find
the inner resources to stay alive.
3.Resolution:If
adolescents with problems and confusion can survive situations with seemingly
insurmountable obstacles, then maybe the readers can too.There
is a transference of the wilderness experience to the personal experience,
i.e. there is a relationship between the geographical journey and other
possible journeys the protagonist (and readers) may take.
·The
concept of individuation implies that the growing person takes increasing
responsibility for what he does and what he is, rather than depositing
this responsibility on the shoulders of those under whose influence and
tutelage he has grown up.Individuation
is the process of becoming a separate person who can act independently
and accept responsibility for choices.
Notice that in Hatchet you have a one-word title. The title
of Julie of the Wolves suggests a connection to the Pack.
The Hatchet title suggests violence, the Julie of the Wolves
title suggests that Julie is one of the community. Hatchet
is a survival tool. Look for other parallels and differences in the
two titles (and works) when yoiu discuss the protagonist, the central conflict,
the resolution, the literary conventions, the themes, and the values in
both books.
Stages
in the Initiation Process (similar to the cycle the hero experiences in
mythology)
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Separation
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Margin,
Transition
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Aggregation,
Re-incorporation
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From
childhood
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From
childhood to adulthood
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Into
society as an adult
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Wound
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Seclusion
– symbolic period of gestation
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Symbolic
rebirth
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Symbolic
death
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Instruction
(mentor)
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Establishment
of identity
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Bildungsroman
(education novel)
·Usually
autobiographical
·Protagonist
grows up in a setting of constraint (social or intellectual)
·Father
is hostile to protagonist’s creative instincts, antagonistic to his ambitions,
and impervious to his new ideas
·Leaves
repressive atmosphere at home (and innocence) to the big city—there his
real education begins
·Direct
experiences:two sexual experiences,
one debasing, one exalting
·Soul
searching
·Returns
home older and wiser
·Conclusion
is sometimes ambiguous; the protagonist may die, may still have an uncertain
future, or may find fulfillment.
Female
Bildungsroman
·Compromise
– can demonstrate a “regression” from self-determined progression toward
maturity
·Disillusionment
– life does not offer limitless possibilities
·Environment
is harsh, harmful, and hostile.
·Obstacles
the female protagonist faces include gender.Her
choices are different.
·Absent
mentor – absent mother, little education, lessons of men aren’t appropriate
·Inward
awakening – greater self knowledge that is connected to the community (the
woman doesn’t become a “master” she becomes a companion)
·Aim
of the female protagonist is marriage
·Many
female protagonists end up mad or dead!