English 103—Composition and Elements of Argument (PDF Version)
MC 448 Section 9 MWF 12:10 – 1 p.m. MC 448; Section 11 MWF 1:10 p.m. – 2 p.m.
Grant T. Smith, Ph.D.
Fall Semester, 2009
Office: MC 533
Phone: 796-3485; E-mail: gtsmith@viterbo.edu
Office hours: TR 10 a.m.–12:00 p.m. or by appointment
Required Texts:
- The Sundance Writer: A Rhetoric, Reader, Handbook by Mark Connelly
- Easy Writer: A Pocket Reference by Andrea A. Lunsford
Course Description: In this course we will explore six rhetorical strategies for composing an essay: narration, definition, classification, comparison and contrast, cause and effect, and persuasion. In the process of reading and writing, we will also develop critical thinking skills, critical reading skills, research skills, and writing skills that will help us become effective and successful college communicators.
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Core Abilities:
- Thinking—Students engage in the critical and creative thinking
- Ethical Decision Making—Students respond to ethical issues
- Communication—Students communicate effectively orally and in writing
- Aesthetic Sensitivity—Students engage in artistic experiences and reflect critically upon them
- Cultural Sensitivity—Students demonstrate a respect for the diversity of the human experience
- Community Involvement—Students demonstrate responsible citizenship
Objectives:
English 103 has specific goals, skills it aims to teach you through the work of the course. The goals are common to all sections of English 103.
| Learning Outcome |
Course Work |
Apply strategies for close reading to a variety of texts, including personal essays and argument essays;
|
Summaries
Critique
Working bibliography
|
Apply critical thinking—especially analysis and inquiry—to readings and issues;
|
Personal response
Critique
Counter argument
Researched argument
|
Use personal experience to engage readers, support qualified claims, and provide footing for ethical argumentation;
|
Personal response
Critique
Counter argument
Researched argument
|
Demonstrate an understanding of the elements of argument, specifically claim and support;
|
All papers
|
Write with a sense of purpose in relationship to audience and context.
|
All papers
|
Utilize the internet and the Viterbo University Library for research;
|
Critique
Working bibliography
Counter argument
Researched argument
|
Integrate a variety of sources—journalistic articles, essays, speeches, interviews, visual texts—into their arguments;
|
Counter argument
Researched argument
|
Document research, using MLA formatting;
|
Summaries
Working bibliography
Critique
Counter argument
Researched argument
|
Respond effectively to their own drafts and the drafts of others;
|
Workshopping
|
Revise writing to effectively achieve the intended purposes.
|
Revision
|
Course Requirements:
- Bi-weekly journal responses to the assigned readings.
- Three formal essays—one of which will be developed into a research paper.
- Class attendance and participation.
Schedule:
Week One: August 31
Diagnostic Writing Assignment
Critical Thinking
Sundance Writer, Chapter Four, “Critical Thinking: Seeing with a Writer’s Eye” 45
Sundance Writer, Chapter Thirteen, “Analyzing Visuals: Seeing with a ‘Writer’s Eye’” 177
Pigeon’s Egg Head
Calvin Klein
Week Two: September 7
Critical Reading
Sundance Writer: “Becoming a Critical Reader: Reading with a ‘Writer’s Eye’” 251
“High School Low Down”
Journal Writing Assignment: An important lesson from high school
Week Three: September 14
Description
Sundance Writer: “Description: Presenting Impressions” 261
Sundance Writer: “Unforgettable Miss Bessie” 292
Sundance Writer: “Prewriting Strategies: Getting Started” 60
Weeks Four and Five: September 21, 28
Narration and Process
Sundance Writer: “Narration: Relating Events” 306
Sundance Writer: “The Fender-Bender” 325; “A Doctor’s Dilemma” 334
Sundance Writer: “Process: Explaining How Things Work and Giving Directions” 487
Sundance Writer: “Developing a Thesis” 71
Sundance Writer: “Supporting a Thesis” 80
Weeks Six and Seven: October 5, 12
Example and Definition
Sundance Writer: “Example: Presenting Illustrations” 358
Sundance Writer: “Homeless: 373
Sundance Writer: “Definitions: Establishing Meaning” 400; “Responding to IMAGES” 440
Sundance Writer: “Dyslexia” 413
Sundance Writer: “Organizing Ideas” 92
Sundance Writer: “Developing Paragraphs” 112
Weeks Eight and Nine: October 19, 26
Comparison and Contrast and Cause and Effect
Sundance Writer: “Comparison and Contrast: Indicating Similarities and Differences” 442
Sundance Writer: “A Fable for Tomorrow” 467
Sundance Writer: “Cause and Effect: Determining Reasons and Measuring Results” 591
Sundance Writer: “Why Schools Don’t Educate” 612; “Black Men and Public Space” 622; “How Television Distorts Reality” 626
Sundance Writer: “Writing the First Draft” 125 and “Revising and Rewriting” 142
Weeks Ten and Eleven: November 2, 9
Sundance Writer: “Argument and Persuasion: Influencing Readers” 642
Sundance Writer: “Hyphenated Americans” 667; “Still Hyphenated Americans” 670
Sundance Writer: “Conducting Research” 743
Weeks Twelve and Thirteen: November 16, 23
Student Conferences
Weeks Fourteen and Fifteen: November 30, December 7
Sundance Writer: “Editing and Proofreading” 159
In-class Workshops
Student Conferences
Week Sixteen: December 14
Final Presentations