BahrCyrilla Barr has a place in her heart for both Viterbo University and religious music.

It’s very fitting that she remembered both when she created an endowed scholarship and has also made the scholarship a beneficiary in her estate planning. The Cyrilla Barr Sacred Music Scholarship provides financial assistance to a Viterbo music major who is pursuing a minor in sacred music or displaying a demonstrated interest by full participating in the Gallery Singers of the Cathedral of St. Joseph the Workman of La Crosse.

Cyrilla is not only an alumna of Viterbo, she was a longtime member of the Franciscan Sisters of Perpetual Adoration and credits the order for giving her both a fine education and an enduring love of the Franciscan spirit. She enjoyed a distinguished career for 27 years at Viterbo, as Chair of the Music Department from 1966-74. She served during the critical time of the planning, building and dedication of the Fine Arts Center.

She was able to spend long periods of time in Italy deepening her knowledge and interest in the Franciscan history and spirituality through serious study of Italian medieval and renaissance culture by living in Assisi, Cortona, and Florence.

After returning from Italy she joined the faculty of The Catholic University of America where she taught for 23 years, during the last 13 of which she chaired the musicology department. Although she has written extensively and lectured widely she admits that her great joy is in teaching. The devotion and success of her former students and colleagues is evidence of her impact upon music education and performance.

According to Dan Johnson-Wilmot, professor of music, “Cyrilla’s powerful and inspirational leadership and presence in the department was enormous and this scholarship recognizes her contribution. Students who receive this scholarship should be truly honored when they hear the story of who it is named after.”

In 1999 Barr retired at the rank of Professor Emerita and returned to La Crosse were she is happy to maintain an association with Viterbo and observe the growth of the school she so loves. “I feel so strongly that the support of good liturgical music is not only a way to perpetuate the Church’s rich patrimony and dedication to the arts, but also underscores Viterbo’s Franciscan identity through its long tradition of music.”


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